{"id":4575,"date":"2016-07-25T00:17:00","date_gmt":"2016-07-24T22:17:00","guid":{"rendered":"https:\/\/www.sabado100.com.ar\/?p=4575"},"modified":"2016-07-25T00:17:00","modified_gmt":"2016-07-24T22:17:00","slug":"lo-que-dejo-el-festival-de-teatro-rafaela-2016","status":"publish","type":"post","link":"https:\/\/sabado100.com.ar\/es-ar\/lo-que-dejo-el-festival-de-teatro-rafaela-2016\/","title":{"rendered":"Lo que dej\u00f3 el Festival de Teatro Rafaela 2016"},"content":{"rendered":"<p>Se trata del editorial del programa \u00abS\u00e1bado 100\u00bb por radio Sol Rafaela FM 90,9, que conduce Emilio Grande.- En esta 12\u00b0 edici\u00f3n del Festival de Teatro participaron unas 20.000 personas en Rafaela, seg\u00fan inform\u00f3 la Secretar\u00eda de Cultura del Municipio mientras que prensa municipal colg\u00f3 en la web 15.000 espectadores, ser\u00eda bueno que se pongan de acuerdo; hay que agregar los que asistieron en las subsedes Ataliva, Suardi y Mar\u00eda Juana (una menos que en 2015).<br \/>\nLa programaci\u00f3n incluy\u00f3 una diversidad de propuestas, po\u00e9ticas y g\u00e9neros (comedia, drama, musical, circo, clown, para adultos y ni\u00f1os) en salas tradicionales y lugares alternativos como vecinales, plazas y la carpa de circo, incorpor\u00e1ndose la Jefatura de Polic\u00eda, el Centro de Viajantes y el Viejo Mercado. Contin\u00faan relegadas la Biblioteca Sarmiento del CEC y el Centro Cultural Ben Hur, con tradici\u00f3n teatral.<br \/>\nEn los \u00faltimos a\u00f1os viene reduci\u00e9ndose la preeminencia de obras de Buenos Aires, pero es la mayor\u00eda con el 65% de las 29 obras (3 menos que el anterior FTR), es decir 2 de cada 3. El resto de las puestas fue de Rosario (2), Mendoza, C\u00f3rdoba, Necochea, La Plata, Rafaela, sumado a tres del exterior: Uruguay, Suiza y Chile-Uruguay-Argentina. \u00bfDe qu\u00e9 manera se puede dar m\u00e1s participaci\u00f3n al teatro del interior para que sea un festival m\u00e1s federal?<br \/>\nEsta movida cultural transita por nuevos caminos, m\u00e1s all\u00e1 de quien sea el responsable de la organizaci\u00f3n. Durante 11 a\u00f1os estuvo a cargo de Marcelo Allasino, cuestionado por sus rasgos autoritarios. Ahora, cambiaron los responsables: Mar\u00eda Josefa Sabellotti es la secretaria de Cultura del Municipio y Gustavo Mondino el director art\u00edstico del festival.<br \/>\nUno de los momentos pol\u00e9micos fue el acto inaugural en el colmado Cine Teatro Belgrano. Ante la sorpresa de propios y extra\u00f1os, el inesperado discurso de Allasino (director del Instituto Nacional del Teatro), quej\u00e1ndose por la reducci\u00f3n de un d\u00eda y exigiendo a los concejales que sancionen una ordenanza para asegurar su continuidad. El intendente Luis Castellano le respondi\u00f3 que no hay ordenanza que pare a este festival porque es del p\u00fablico.<br \/>\nSe redujo un d\u00eda debido a la situaci\u00f3n econ\u00f3mica, como contest\u00f3 la secretaria de Cultura Popi Sabelotti ante la consulta de este cronista en el lanzamiento del festival.<br \/>\n\u00bfEs necesario que el Concejo Municipal apruebe un proyecto para garantizar el FTR? Con ese criterio, \u00bfhabr\u00eda que incluir un punto para que todos los a\u00f1os se haga el concurso de proyectos para coproducciones locales? A decir verdad, cayeron muy mal los dichos del ex secretario de Cultura hasta el 10 de diciembre de 2015 en el Ejecutivo municipal, seg\u00fan fuentes confiables a este cronista, siendo considerado un desagradecido. Los trapitos se limpian en casa, no se ventilan p\u00fablicamente. Por mi columna en el diario La Opini\u00f3n algunos fan\u00e1ticos aplaudidores se enojaron en Facebook, todav\u00eda no comprenden cu\u00e1l es la funci\u00f3n del periodismo en una sociedad democr\u00e1tica&#8230;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Se trata del editorial del programa \u00abS\u00e1bado 100\u00bb por radio Sol Rafaela FM 90,9, que conduce Emilio Grande.- En esta [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[31],"tags":[5496],"class_list":["post-4575","post","type-post","status-publish","format-standard","hentry","category-editorial","tag-lo-que-dejo-el-festival-de-teatro-rafaela-2016"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v23.2 - 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