{"id":29746,"date":"2024-10-13T23:50:55","date_gmt":"2024-10-13T23:50:55","guid":{"rendered":"https:\/\/sabado100.com.ar\/es-ar\/?p=29746"},"modified":"2024-10-13T23:53:58","modified_gmt":"2024-10-13T23:53:58","slug":"el-jockey-orteguiano","status":"publish","type":"post","link":"https:\/\/sabado100.com.ar\/es-ar\/el-jockey-orteguiano\/","title":{"rendered":"El Jockey orteguiano"},"content":{"rendered":"\n

Por Ricardo Miguel Fessia.-<\/strong> Distinto a todo lo que se puede ver, donde en una hora treinta frente a la pantalla no se encuentra a las personas en el centro del relato, sin una identidad descollante, que obliga al espectador a elaborar una y mil teor\u00edas y todas con cierta l\u00f3gica para su justificaci\u00f3n. No es de los espect\u00e1culos en donde uno se desparrama en la poltrona; una y mil veces se cambia de posici\u00f3n, eso que ocurre cuando no se encuentra la raz\u00f3n a algo y no se puede terminar de entender.<\/p>\n\n\n\n

Al salir de la sala, anoche, eran todas preguntas, por tal personaje, por esa escena que se puede presentar innecesaria, por la m\u00fasica. Por todo. Segu\u00edamos caminando y con m\u00e1s preguntas.<\/p>\n\n\n\n

Remo Manfredini (Nahuel P\u00e9rez Biscayart), un jockey que supo cosechar muchos triunfos lleg\u00f3 a una situaci\u00f3n personal de total empe\u00f1o por su definitiva autodestrucci\u00f3n que comprende su profesi\u00f3n, la relaci\u00f3n con una colega de nombre Abril (la espa\u00f1ola \u00darsula Corber\u00f3) que es su novia y su misma vida. \u00a0<\/p>\n\n\n\n

En ese proceso, lleg\u00f3 al complejo entramado mafioso de Rub\u00e9n Sirena (el mexicano Daniel Gim\u00e9nez Cacho) con el que est\u00e1 bastante endeudado y la \u00fanica forma posible de cobrar ese cr\u00e9dito es que el caballo que monte llegue primero al disco. Ese d\u00eda, luego de todo el ritual casi sagrado que incluye un pedido a la Virgen instalada en un precario santuario en el camino entre los vestuarios y la pista, se abren las puertas de la gatera y el jockey punteo el pelot\u00f3n hasta que sorpresivamente a la salida del codo, se estrella contra la empalizada lo que le provoca lesiones \u201cincompatibles con la vida\u201d.<\/p>\n\n\n\n

En circunstancias que solo pasan en las pantallas, un d\u00eda despert\u00f3 y con lo que hab\u00eda a mano, se visti\u00f3 y sali\u00f3 a desandar una verdadera odisea por las calles de Buenos Aires. Su cabeza, protegida por un inmenso vendaje, esta tambi\u00e9n despojada de recuerdos y de identidad lo que lleva a un breve itinerario de b\u00fasqueda de su propio \u201cyo\u201d. Los esbirros sirenianos<\/em> van detr\u00e1s de sus pasos.<\/p>\n\n\n\n

Liberado de su pasada vida, Remo empieza a reconstruirse entre las maniobras para no ser atrapado ni por la polic\u00eda ni por los matones. Circula por los lugares m\u00e1s insospechados de la ciudad.<\/p>\n\n\n\n

El film ausculta temas como la identidad, los deseos desmesurados y los sacrificios que conlleva la b\u00fasqueda de la excelencia en el mundo de las carreras de caballos. La expresi\u00f3n visual es ub\u00e9rrima y el guion intrigante. El desempe\u00f1o de Remo y Abril con esos silencios y esas pausas es soberbio.<\/p>\n\n\n\n

La idea original naci\u00f3 en la causalidad de dar con un ambulante de origen ruso con ropas de mujer que permanentemente concurr\u00eda a la farmacia para montar la b\u00e1scula. El vagabundo afirmaba que su peso era cero kilos y que eso le tranquilizaba porque era que no exist\u00eda. Sin dudas una suerte de paranoico simp\u00e1tico.<\/p>\n\n\n\n

La trama de El Jockey<\/em> cambia a cada rato, todo escapa a las reglas de la realidad y el personaje va mutando, discurre por varias identidades, al menos aparentemente. Perece decir que es necesario morir para liberarse de uno mismo.<\/p>\n\n\n\n

Las tomas, la perspectiva, los planos son un tema aparte que por s\u00ed atraen al espectador y lo hacen brincar en la butaca. Una carrera de caballos con animales lanzados a toda furia y Remo aparece flotando sobre su montado, fuera de toda ley f\u00edsica y de la realidad de la escena. Lleva a restregarse los ojos con un dejo de incredulidad. El director, Luis Ortega, juega con la realidad en forma osada.<\/p>\n\n\n\n

Son participaciones a destacar son la de Daniel Fanego -falleci\u00f3 antes del estreno de la pel\u00edcula-, Daniel Gim\u00e9nez Cacho y la actriz chilena Mariana Di Girolamo. <\/p>\n\n\n\n

La cinta de Ortega es una bocanada de aire fresco en la filmograf\u00eda argentina y se estren\u00f3 en el Festival de Cine de Venecia, y gan\u00f3 el premio Horizontes Latinos en el Festival de San Sebasti\u00e1n, representar\u00e1 a Argentina en los premios Goya y en Los Oscars. M\u00e9ritos no le faltan.<\/p>\n","protected":false},"excerpt":{"rendered":"

La cinta de Ortega es una bocanada de aire fresco en la filmograf\u00eda argentina. El film ausculta temas como la identidad, los deseos desmesurados y los sacrificios que conlleva la b\u00fasqueda de la excelencia en el mundo de las carreras de caballos.<\/p>\n","protected":false},"author":1,"featured_media":29749,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[6647],"class_list":["post-29746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-y-sociedad","tag-el-jockey-orteguiano"],"yoast_head":"\nEl Jockey orteguiano - Sabado 100<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sabado100.com.ar\/es-ar\/el-jockey-orteguiano\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"El Jockey orteguiano - Sabado 100\" \/>\n<meta property=\"og:description\" content=\"La cinta de Ortega es una bocanada de aire fresco en la filmograf\u00eda argentina. 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