{"id":22904,"date":"2023-08-05T09:48:28","date_gmt":"2023-08-05T12:48:28","guid":{"rendered":"https:\/\/www.sabado100.com.ar\/?p=22904"},"modified":"2023-08-05T09:48:28","modified_gmt":"2023-08-05T12:48:28","slug":"repensar-el-futuro-del-festival-de-teatro-de-rafaela","status":"publish","type":"post","link":"https:\/\/sabado100.com.ar\/es-ar\/repensar-el-futuro-del-festival-de-teatro-de-rafaela\/","title":{"rendered":"Repensar el futuro del Festival de Teatro de Rafaela"},"content":{"rendered":"\n

Por Emilio Grande (h.).-<\/strong> Durante 9 d\u00edas se realiz\u00f3 la 18\u00ba edici\u00f3n del Festival de Teatro con 33 obras teatrales de Buenos Aires, C\u00f3rdoba, Rosario, La Plata, Santa Fe, Neuqu\u00e9n y Rafaela (fueron 8), en 68 funciones, que se presentaron en salas tradicionales, lugares alternativos y no convencionales, como as\u00ed tambi\u00e9n en las subsedes de Ataliva y Suardi con 5 obras.<\/p>\n\n\n\n

Con el paso de los a\u00f1os, este evento se convirti\u00f3 en un espacio cultural local y regional, debiendo permanecer en el tiempo como pol\u00edtica de Estado, m\u00e1s all\u00e1 del gobierno de turno, en el contexto de las elecciones PASO del 16 de julio, donde el ganador fue Leonardo Viotti sobre Luis Castellano por 7.700 votos, que deber\u00e1 ratificar el 10 de setiembre.<\/p>\n\n\n\n

Por este motivo, durante el acto inaugural del domingo 23 de julio el Intendente ensay\u00f3 un discurso netamente de campa\u00f1a electoral, mencionando las obras que se hicieron durante su extensa gesti\u00f3n de casi 12 a\u00f1os como el Viejo Mercado, la Escuela de M\u00fasica, el Centro Metropolitano La Estaci\u00f3n, sumado a los barrios nuevos con plazas.<\/p>\n\n\n\n

En este sentido, el director art\u00edstico del FTR23 Gustavo Mondino remarc\u00f3 que \u201ceste festival es una decisi\u00f3n pol\u00edtica, una pol\u00edtica de Estado y es necesario que nosotros entendamos que, como ciudadanos, tenemos el derecho a la cultura\u201d, durante el acto de cierre.<\/p>\n\n\n\n

En el probable escenario de que confirme el resultado electoral, el vencedor de las PASO aclar\u00f3 que \u201cel festival va a seguir y vamos a fortalecerlo; es una actividad muy importante para Rafaela, que nos ubica en el plano nacional. Soy un fuerte defensor de la cultura rafaelina, que tendr\u00e1 mayor presencia dentro del festival con obras y artistas locales, conservando el esp\u00edritu nacional\u201d, ante la consulta de quien firma esta columna editorial.<\/p>\n\n\n\n

A decir verdad, en varias oportunidades propuse la creaci\u00f3n una comisi\u00f3n t\u00e9cnica del festival, con la participaci\u00f3n de directores teatrales, dramaturgos y otros actores de la cultura rafaelina para designar las obras y los lugares. De esta manera, se evitar\u00eda que la selecci\u00f3n recaiga en una y dos personas, como viene sucediendo en los \u00faltimos a\u00f1os, quienes priorizan sus gustos y est\u00e9ticas por encima del bien com\u00fan del festival.<\/p>\n\n\n\n

En esta \u00faltima edici\u00f3n, estuvo la puesta \u201cEl \u00faltimo, diatriba de amor por mensaje de audio\u201d en La M\u00e1scara, con un l\u00e9xico muy chabacano, mostrando escenas sexuales de los protagonistas, ante la sorpresa de algunos espectadores.<\/p>\n\n\n\n

Sin olvidar la ofensiva obra \u201cDios\u201d, que se present\u00f3 en 2018 en la Sociedad Italiana, atacando a la Iglesia, al papa Francisco y a la Virgen Mar\u00eda, con gran repercusi\u00f3n nacional. Otra pol\u00e9mica fue \u201cNada de carne sobre nosotras\u201d, presentada en 2022, en el cementerio municipal, donde mucha gente se mostr\u00f3 contraria con el lugar, expres\u00e1ndolo en distintos \u00e1mbitos y en las redes sociales.<\/p>\n\n\n\n

Que quede bien en claro: no se est\u00e1 en contra de la libertad de expresi\u00f3n, que est\u00e1 garantizada por la Constituci\u00f3n Nacional. Lo que se critica es exhibir este tipo de obras en un festival con trascendencia nacional, siendo financiado por la Municipalidad de Rafaela, el Gobierno Provincial y el Instituto Nacional del Teatro, m\u00e1s el aporte de auspiciantes y la venta de entradas. Tampoco se rinde cuentas sobre el financiamiento.<\/p>\n\n\n\n

Entonces hay que repensar qui\u00e9nes seleccionar\u00e1n el contenido y las puestas teatrales, los lugares donde se presentan (en esta edici\u00f3n hubo una sola obra en la hist\u00f3rica sala del Lasserre) y clarificar el financiamiento, en orden a mostrar las cuentas claras de ingresos y egresos.<\/p>\n\n\n\n

Lamentablemente, los integrantes de La M\u00e1scara se apropiaron de esta movida cultural, con la anuencia del Ejecutivo municipal. En esta oportunidad, no hubo ninguna obra del elenco del Centro Ciudad de Rafaela, que tiene una extensa trayectoria de 90 a\u00f1os de vida cultural, pero llamativamente hubo 4 laboratorios de teatro con actores locales a cargo de directores de Buenos Aires.<\/p>\n\n\n\n

Las cartas est\u00e1s echadas sobre la mesa para que las futuras ediciones del festival sean una verdadera expresi\u00f3n cultural rafaelina en su conjunto. Si el oficialismo ganara las elecciones generales, seguir\u00e1 la misma estructura hegem\u00f3nica, pero si triunfara la oposici\u00f3n, seguramente, habr\u00e1 un nuevo paradigma cultural con el futuro del festival de teatro.<\/p>\n","protected":false},"excerpt":{"rendered":"

Se trata del editorial del programa \u201cS\u00e1bado 100\u201d por radio El Espectador (FM 100,1) de Rafaela. Se debe crear una comisi\u00f3n t\u00e9cnica con la participaci\u00f3n de directores teatrales, dramaturgos y otros actores de la cultura rafaelina para designar las obras y los lugares.<\/p>\n","protected":false},"author":1,"featured_media":22905,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4,31,5],"tags":[899],"class_list":["post-22904","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-y-sociedad","category-editorial","category-politica","tag-repensar-el-futuro-del-festival-de-teatro-de-rafaela"],"yoast_head":"\nRepensar el futuro del Festival de Teatro de Rafaela - Sabado 100<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sabado100.com.ar\/es-ar\/repensar-el-futuro-del-festival-de-teatro-de-rafaela\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Repensar el futuro del Festival de Teatro de Rafaela - Sabado 100\" \/>\n<meta property=\"og:description\" content=\"Se trata del editorial del programa \u201cS\u00e1bado 100\u201d por radio El Espectador (FM 100,1) de Rafaela. 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