{"id":14052,"date":"2021-09-26T22:52:45","date_gmt":"2021-09-27T01:52:45","guid":{"rendered":"https:\/\/www.sabado100.com.ar\/?p=14052"},"modified":"2021-09-26T22:52:45","modified_gmt":"2021-09-27T01:52:45","slug":"restauracion-de-arte-la-conservacion-en-la-pintura","status":"publish","type":"post","link":"https:\/\/sabado100.com.ar\/es-ar\/restauracion-de-arte-la-conservacion-en-la-pintura\/","title":{"rendered":"Restauraci\u00f3n de arte: la conservaci\u00f3n en la pintura"},"content":{"rendered":"\n

Por Mar\u00eda In\u00e9s Adorni.-<\/strong> La restauraci\u00f3n de un cuadro comienza con un detallado estudio de la obra.<\/p>\n\n\n\n

Los resultados ser\u00e1n determinantes para saber que t\u00e9cnicas y materiales se van a utilizar en su conservaci\u00f3n.<\/p>\n\n\n\n

La protecci\u00f3n es la primera fase que se  realiza en una obra de estas caracter\u00edsticas, que llega con una falta de adhesi\u00f3n importante de la pel\u00edcula pict\u00f3rica al soporte.<\/p>\n\n\n\n

Y se realiza entonces el proceso de restauraci\u00f3n primeramente la tela, quit\u00e1ndole polvo y luego enfermedades por la humedad y el paso del tiempo.<\/p>\n\n\n\n

\"\"<\/a><\/figure>\n\n\n\n

Se realizan dos funciones principales sobre la superficie pict\u00f3rica, por un lado protegemos la obra para poder manipularla, y por el otro consolidamos la pel\u00edcula pict\u00f3rica y ayudamos a que se vuelva a adherir al soporte.<\/p>\n\n\n\n

El segundo paso es el desforrado de la tela original, en ese momento , para realizar otro reentelado ,se decide regenerar el pegamento que se utiliz\u00f2 en un reentelado anterior.<\/p>\n\n\n\n

Tambi\u00e8n llamado forraci\u00f3n, o entelado para reforzar la tela original.<\/p>\n\n\n\n

Una vez retirada la antigua se procede a forrar el cuadro con una nueva tela.<\/p>\n\n\n\n

La fase de limpieza en cualquier obra, sea pintura o escultura, yo creo que la fase mas complicada y delicada, fundamentalmente, adem\u00e1s porque es la que queda, es irreversible, y entonces el trabajo que hagamos sobre la pel\u00edcula pict\u00f3rica va a quedar ah\u00ed, si retiramos solo la suciedad, si retiramos el barniz original, e incluso si podemos llegar hasta la policrom\u00eca y causar da\u00f1os irreparables, entonces es una fase muy complicada porque es irreversible.<\/p>\n\n\n\n

Puede afectar a la entidad de la obra y a su correcta misi\u00f3n.<\/p>\n\n\n\n

T\u00e8cnicas como el test de Wolbers permite elegir con mayor exactitud los productos a utilizar seg\u00fan la zona y el color de la obra.<\/p>\n\n\n\n

El resultado del test en los algodones, liberada la pintura de suciedad, se procede al arreglo de peque\u00f1as grietas o faltas, en donde se coloca el material.<\/p>\n\n\n\n

El proceso de restauraci\u00f3n, la reintegraci\u00f3n del color, en zonas de lagunas, se colorea con t\u00e9cnicas respetuosas que se distingue del original, es reversible, por ejemplo rayas de colores que se llama regatino, son procesos muy lentos y llevan de mucha paciencia  y atenci\u00f3n.<\/p>\n\n\n\n

En las partes que se encuentran sin limpiar se pierden todos los matices, sombras, una vez que ya est\u00e1n limpios se marcan contrastes, pliegues de color, dorados, etc, no se aprecian porque est\u00e1n tapados por el barniz oxidado, en donde luego recuperan su brillo y el color original.<\/p>\n\n\n\n

Como restauradora recuper\u00e9 tesoros art\u00edsticos de nuestro patrimonio de iglesias y coleccionistas particulares de Rafaela y otras provincias.<\/p>\n\n\n\n

La autora es restauradora y preservadora de arte y patrimonio cultural.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

Por Mar\u00eda In\u00e9s Adorni.- La restauraci\u00f3n de un cuadro comienza con un detallado estudio de la obra. Los resultados ser\u00e1n […]<\/p>\n","protected":false},"author":2,"featured_media":14053,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[4],"tags":[3108],"class_list":["post-14052","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-cultura-y-sociedad","tag-restauracion-de-arte-la-conservacion-en-la-pintura"],"yoast_head":"\nRestauraci\u00f3n de arte: la conservaci\u00f3n en la pintura - Sabado 100<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sabado100.com.ar\/es-ar\/restauracion-de-arte-la-conservacion-en-la-pintura\/\" \/>\n<meta property=\"og:locale\" content=\"es_ES\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Restauraci\u00f3n de arte: la conservaci\u00f3n en la pintura - Sabado 100\" \/>\n<meta property=\"og:description\" content=\"Por Mar\u00eda In\u00e9s Adorni.- La restauraci\u00f3n de un cuadro comienza con un detallado estudio de la obra. 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